646f9e108c Nuclear explosions force the residents of a New York apartment block to run from the building. However, the explosions force them into a basement. Eight residents are holed up in the building's bomb shelter. They must acclimatise to each other in difficult, cramped conditions.
Survivors of a nuclear attack are grouped together for days in the basement of their apartment building, where fear and dwindling supplies wear away at their dynamic.
What the hell??? I waited 12 months for this??? I want my money back!!! Oh wait I actually had a free ticket…pffft I still want my money back!!! At least it wasn't the worst movie I've seen this year…oh wait yes it is…. This movie had a great premise and even the first half seemed to be doing quite well, taking an unknown road that could potentially lead anywhere and offer a great story, only, just like the characters in the movie, they literally run away from any originality or plot development. I was intrigued by these mysterious men in Biohazard suits that had children stored in cryo vats that they were obviously experimenting on in some way…only seconds later Milo is running away back to the basement where the mystery men seal them inside and this is where the movie takes an abrupt turn for the worse and heads straight for Lameville. I guess the real plot of this movie though is about the disintegration of humanity and how quickly humans will turn on each other to satisfy our most base urges. Heads up!!! It's been done….hundreds of times!!! The real message I took home from this movie (I hesitate to call it a film because that implies quality, to me anyway) is that people are generally self-centered narcissists who only care about themselves and will turn into vicious rabid animals the first chance they get. There is probably a lot of truth to this but it's how quickly this happens in this movie that was hard to believe. Seemingly in the space of a matter of days people start to lose their sanity and merrily commit horrifying acts on each other. Maybe it was the radiation poisoning or maybe just bad scripting. Either way what could have been a cult classic was just another B grade slasher flick.
I attended the almost sold out screening of "The Divide" at Montreal FantAsia Film Festival with special guest Xavier Gens (director), Michael Biehn (actor) and Michael Eklund (actor).<br/><br/>The crowd,always at FantAsia, was very engaged and energetic. However,the horror story unfolded (not exactly horror genre film, save for a few scenes, but horrific in the psychological debacle of its characters), the crowd got quiet and silently absorbed the very well-crafted human drama. The performances felt real. The mood was perfectly dark and doomish. This post-apocalyptic take on humanity is not the most positive, but it is positively one of the best! The cinematography and few special effects are good, especially for the budget. We learned in the Q&A that the film was going to be canned, but that an intern in Winnipeg (Canada), said that his parents could finance the film and fork the few millions needed to finish the project. Great thing they did! This detachment from market-driving founding also allowed for greater artistic freedom and the three guests really explained how Xavier Gens challenged his actors (and some times cameramen) to improvise, be creative, immerse themselves in their characters, and serve the story and the film. The two Michaels were thrilled to worked this way and brought many contributions, while they also mentioned how Lauren German was a more by-the-book actress and they all had to event ploys to get her to be surprised and spontaneous. They all genuinely felt it was the best filmed to work on in their lives, although staying in character after shooting made for some tense sets and after-set (hotel) interactions. Gens choose to film the movie in chronological order, encouraged his actors to starve themselves (which Eklund did to the maximum) and let their mind gothe film reel rolled. Having written a novel in chronological order, I understand exactly what latitude that gives in character development. The story takes unexpected turns, but feels right, cognitive and consistent.<br/><br/>The story with its sci-fi elements briefly introduces a world of wonder, before shutting the door closed on hope and humanity. It is saved by sparkles of effective comedy, but transgresses into a struggle to survive at any price. What is there left? Humanity? Dignity? Love? Compassion? Not really.<br/><br/>As dark is it it, this vision hopefully encourages us to do better in our own lives. No need to wait for a nuclear explosion to figure out what is our desired behaviour for betterment.
We wait, from one cringe-inducing, hide-your-face-from-the-screen act after another, to see how much worse the behavior will become.
When comparing both versions, we see that the unrated cut contains material that's more or less helpful for character development. Towards the climax of the movie, it becomes apparent that the R-Rated misses some scenes that take some of the sick intensity of the events (e.g. the second sex scene).
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